With harrison ford, julia ormond, greg kinnear, nancy marchand It gives us the myths of cinderella and the ugly duckling, inserts some powerfully murky freudian impulses, and wraps them up in a romantic comedy An ugly duckling having undergone a remarkable change, still harbors feelings for her crush
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Mortal teen life and her family's legacy, the church of night
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Musing about “sabrina,” i formed some notions about why the plot is so powerful
